Robert Peter Williams Bio, Wiki And More Of The Singer

Robert Peter Williams Bio, Wiki And More Of The Singer

Robert Peter Williams is an English singer and songwriter who was born on February 13, 1974. From 1990 through 1995, he rose to stardom as a pop star with Take That, then in 1996, he went solo and gained commercial success. Seven of his singles have peaked at No. 1 in the UK, and 11 of his studio albums have done the same. He achieved a Guinness World Record in 2006 for selling 1.6 million tickets in a single day during his Close Encounters Tour. Six of his albums are among the top 100 best-selling albums in the UK, with two of them ranking in the top 60.

Williams has won a record 18 Brit Awards, including three MTV European Music Awards, eight German ECHO Awards, Outstanding Contribution to Music thrice, Icon Award for his lasting influence on British culture, and Best British Male Artist four times.

 After winning the title of “Greatest Artist of the 1990s,” he was inducted into the UK Music Hall of Fame in 2004. He has been certified for 20.2 million albums and 8.4 million singles in the UK as a solo artist, according to the British Phonographic Industry (BPI). With 75 million albums sold globally and five of his albums reaching the top of the Australian albums chart, he is one of the best-selling musicians of all time. He also topped the UK radio chart from 2000 until 2010. Over 375,000 people attended his three shows at Knebworth in 2003, making them the largest music event in the UK up to that moment. In addition to having a tourist route and streets named in his honor, he was given the freedom of Stoke-on-Trent in 2014.

Williams returned to Take That in 2010 after a 15-year absence to co-write and sing lead on their album Progress, which went on to sell more copies than any other album in UK chart history[6] and to become the fastest-selling record of the century at the time.

The second stadium tour, which contained seven songs from Williams’ solo career, sold 1.34 million tickets in less than 24 hours to become the most popular concert in UK history. Although he insisted that the split was amicable and that Williams was welcome to re-join Take That in the future, Take That frontman Gary Barlow revealed in 2011 that Williams had left the group for a second time to concentrate on his solo career.  Williams has since worked with Barlow on a number of projects, including the West End musical The Band, and played with Take That on three different occasions on television.

Early Life of Robert Williams

The son of Janet (née Farrell) and Peter Williams (also known as Pete Conway), who operated the Red Lion in Burslem before becoming the licensee at the Port Vale FC Social Club, Robert Peter Williams was born on February 13, 1974, in Stoke-on-Trent.

 His maternal grandparents was from Kilkenny, Ireland. He was a student at St Margaret Ward Catholic School in Tunstall and took part in a number of school productions. The Artful Dodger was his most notable performance in an Oliver production.

Williams, when sixteen, joined Take That as the group’s youngest member in 1990. His mother reportedly read a call for applicants for a new boy band and urged that he try out for the group, according to the documentary Take That: For the Record. On the day of his interview with Nigel Martin-Smith and audition, he ran across fellow cast member Mark Owen. Williams sang lead on the group’s first Top Three success, “Could It Be Magic,” as well as “I Found Heaven” and “Everything Changes,” even though Gary Barlow wrote and sang the majority of the group’s songs. Williams and Martin-Smith argued about the conduct expectations for Take That members as a result of Williams’ usage of alcohol and drugs.

Williams’ drug usage had gotten worse in November 1994; the night before the band was supposed to perform at the MTV Europe Music Awards, Williams came dangerously close to overdosing.

 According to the documentary For the Record, he was dissatisfied that lead singer Barlow and Martin-Smith did not consider his musical suggestions; his desire to experiment with hip hop and rap ran counter to Take That’s customary ballads. Williams had given up attempting to contribute creatively, according to Barlow, who revealed this in interviews.

Orange and Barlow voiced their worries to Martin-Smith after observing Williams’ increasingly aggressive behavior and irregular attendance at practices and fearing that he could quit the band during their impending tour. The three confronted Williams about his attitude during one of the final rehearsals before the tour began and said they wanted to do the tour without him. It would be the final time they would all be together for twelve years when he decided to leave the group in July 1995. Williams left the band, but Take That still managed to finish their Nobody Else Tour as a quartet. On February 13, 1996—Williams’ 22nd birthday—they dissolved.

Shortly after, Williams was captured on camera by the media having fun at Glastonbury Festival his Oasis bandmates. After he left, he was the focus of discussion programs and newspapers because he revealed his intentions to pursue a solo singing career and because he was seen having fun with George Michael in France. He was later sued by Martin-Smith and was ordered to pay $200,000 in commission because a stipulation in his Take That contract forbade him from publishing any material prior to the group’s official dissolution. Williams was able to obtain a release from his contract with BMG after engaging in numerous legal disputes on his freedom to pursue a solo career. Williams secured a contract with Chrysalis Records on June 27, 1996.

Williams performing in 2006 in Vienna, Austria

It was established in February 2009 that Williams had collaborated on writing projects with Guy Chambers and Mark Ronson. Williams planned to start the recording sessions in March, according to a spokeswoman, and the new album would be published in late 2009. This is most likely the final Williams album to be distributed by EMI. Williams announced on his official website that he was collaborating with producer Trevor Horn on his new album, which would be called Reality Killed the Video Star], a play on the lyrics of The Buggles’ song “Video Killed the Radio Star.” The album was made available in the UK on November 9, 2009.

Williams released Songbook, a 12-track compilation album, as a free CD for the publication The Mail on Sunday on October 11, 2009. On The X Factor results show that same night, Williams made his “comeback,” debuting his brand-new song “Bodies” live. Williams launched the BBC Electric Proms at the London RoundHouse on October 20, 2009.  It was his first live performance in three years and was televised in 200 theaters around the world.  Williams played a number of brand-new songs from Reality Killed the Video Star as well as older songs while being accompanied by a string quartet, horn section, full band, and producer Trevor Horn.

On November 6, 2009, Reality Killed the Video Star received a UK preview on the Spotify music streaming service. On November 9, the song had its official release.

 Williams’ album competed against JLS, the runners-up on the 2008 X Factor, whose first album was released the same day, in a high-profile chart war. JLS outsold Williams by 1500 sales to claim the top place. Williams’ first album to be released in the country since 2002’s Escapology, the album was also made available there. Williams traveled to Australia in late November 2009 to perform at the 2009 ARIA Music Awards.

Williams performing in 2009 at Sydney’s Super Dome

In and Out of Consciousness: The Greatest Hits 1990-2010, Williams’ second greatest hits collection, was released in October 2010 to commemorate his 20 years as a performing artist. Williams and Barlow co-wrote and sang the song “Shame,” which was also made available as a single.

After leaving his previous record label EMI in 2010, Williams signed with Island Records (Universal Music) on October 21, 2011.

The Diamond Jubilee Concert, co-organized by Gary Barlow and performed on June 4, 2012, outside Buckingham Palace, included Williams as the opening act.

 A countdown to the publication of information about his most recent solo work was started on his official website at the end of August. Each day as the countdown progressed, an image of his face and his thinking was revealed. Take the Crown, the album’s title, became Williams’ tenth number-one album when it arrived at the top of the UK Albums Chart. Additionally, it was the second time in her career that Williams’ single “Candy” and album both peaked at number one simultaneously on the charts. The first time was in 2001 when “Somethin’ Stupid” and Swing When You’re Winning, two albums, ranked first on the singles chart.

The lead single from the album, “Candy,” had its debut on September 10, 2012, and was made generally available on September 11 and on October 29 in the UK. Williams’ seventh solo number-one single in the UK, “Candy,” became his first number-one single since “Radio” (2004). The song became the fastest-selling male artist single of the year after selling 137,000 copies in its first week.  Williams revealed a 17-date stadium tour in Europe on November 26, 2012. Williams also declared that Olly Murs, with whom he also sings a duet on “Kids,” would serve as the tour’s opening act. When EMI and Universal combined in 2012, Williams’ Chrysalis/Virgin records finally ended up at Universal.

 Crown Stadium Tour of Williams

Williams announced the release of Swings Both Ways, the follow-up to his 2001 swing CD, in September 2013. The album includes both original songs and covers, as well as duets with Kelly Clarkson, Michael Bublé, Olly Murs, Rufus Wainright, Lily Allen, and others. Williams made a brief cameo in the “Hand on Heart” music video by Murs in November 2013.

On December 1, 2014, Williams made available through his website a compilation album called Under the Radar Volume 1 that included leftovers and unheard music.

I have written a ton of songs that I am really passionate about, and I want you to hear them because else they will stay on my computer.  Guy Chambers “is not delighted,” according to Williams, that these tunes have been made available online: Williams remarked, “He believes I’m crazy for leaving them off an album that we’ve marketed with TV appearances, at radio stations, and a significant tour. But I’m a hasty prick and I need them gone now, now, now!